Alexandra Mathie.

Alexandra Mathie
Alex

Alexandra trained at LAMDA.

Extensive theatre credits include:  Angela (made during lockdown for the Royal Lyceum Theatre); Amadeus, House & Garden (National Theatre); All I Want is One Night (Wilton’s Music Hall, Hope Street Mill, off Broadway); Joan Eardley: A Private View (Heroica Theatre Company); The Air That Carries Weight, The Unconquered, Wit (CATS Best Performer Award); Memory of Water (Stellar Quines); Roundalay, Neighbourhood Watch, Dear Uncle, My Wonderful Day, Private Fears in Public Places, Drowning on Dry Land (Alan Ayckbourn  – Scarborough, Yvonne Arnaud Theatre, tour, off Broadway); Macbeth, Orpheus Descending, Antigone, The Vortex, See How They Run, Separate Tables (Royal Exchange, Manchester);  Cockpit, Age of Arousal, Romeo & Juliet, The Importance of Being Earnest, The Prime of Miss Jean Brodie, A Listening Heaven (Royal Lyceum, Edinburgh); The Crucible (Regent’s Park Theatre); The Diary of Anne Frank (Birmingham Rep).

TV credits include: Stuart: A Life Backwards (Neal Street Productions); regular appearances on Coronation Street and Doctors.

Many radio appearances, most recently in Cocoon, Short Works: Island, Rage; Stone; The Midwich Cuckoos, The Driver’s Seat, A Sudden Surge, Orfeo, The Last Chronicles of Barset, A Small House at Allington, Howard’s End, Sense and Sensibility.